Sherry French Gallery Logo
Current Exhibition Gallery Artists Landscape Inventory Still Life Inventory Figure Inventory Realism Chelsea Links E-Mail Home
Current Exhibition
Realism: In the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations. In the visual arts, for example, realism can be found in ancient Hellenistic Greek sculptures accurately portraying boxers and decrepit old women. The works of such 17th-century painters as Caravaggio, the Dutch genre painters, the Spanish painters José de Ribera, Diego Velázquez, and Francisco de Zurbarán, and the Le Nain brothers in France are realist in approach. The works of the 18th-century English novelists Daniel Defoe, Henry Fielding, and Tobias Smollett may also be called realistic. -Nicholas Pioch. Realism, art, realist art, realist paintings: in art, broadly, an unembellished rendering of natural forms. Specifically, the term refers to the mid-19th-cent. movement against French academicism. Realist painters portrayed ugly or commonplace subjects without idealization. Major realists include COURBET, J.F. MILLET, and DAUMIER. See also PHOTOREALISM. Realism (art and literature), attempt to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life. The term is generally restricted to a movement that began in the mid-19th century, in reaction to the highly subjective approach of romanticism. The term realist in art is frequently used to describe works depicting scenes of humble life, and it implies a criticism of social conditions. The work of French artists Gustave Courbet, Honoré Daumier, and Jean François Millet has been described as social realism. American realist painters include William Sidney Mount, Anthony D'Elia and Thomas Eakins. Realist literature is defined as fiction produced in Europe and the United States from about 1840 until the 1890s. Realists included French writers Gustave Flaubert and Guy de Maupassant, Russian author Anton Chekhov, English novelist George Eliot, American writers Mark Twain and William Dean Howells, and American expatriate novelist Henry James. The history of Western European art records an uncompromising pursuit of excellence. The masters of each generation sought to perfect their art, then bequeathed their accumulated knowledge and expertise to the next generation. The accomplishments of one generation often set new standards of excellence for the next. Throughout the centuries there existed a generally recognized artistic standard. To differentiate this standard or tradition of excellence from others, we call it classical realism. Classical realism encompasses the highest principles of traditional representational art from the ancient Greeks to the present day.
The principles of realism include fine drawing, balanced design, harmonious color and skillful craftsmanship. At its foundation is the representation of the visible world as seen through the trained eye of the artist (representational art). For centuries, the artist's craft and the ability to
Current Exhibition
"MEMORY AND MEANING"
Representational Landscape Paintings by Eliza Auth

April 30th through May 24th, 2008
Opening Reception for the Artist:
Saturday, May 3rd from 1-4 pm
Realist Art Click the thumbnail to see an enlarged version.
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
CLICK TO ENLARGE
To look at a painting by Eliza Auth is to be transported. Auth does more than just paint a landscape, and she uses paint to make her canvases glow with a mood and a feeling that hits the viewer immediately. Her paintings are of nature, and yet Eliza Auth brings something incredibly human to every setting she depicts, whether it be a snow-covered plain, or a wind-swept sand dune. Eliza Auth’s technique is so strong that one feels truly transported to the location of her images, and the viewer too responds to her paintings with the feelings, of bliss, of peace, of relaxation or calm, that the images so wonderfully evoke. “Memory is what drives my paintings,” says the artist, “and I am drawn to places that have a connection to my past.” Herein lies the secret to the powerful warmth of her Realist works. Bucolic as many of her scenes are on their own, it is the amount of herself that Auth invests in each work that gives it the extra power to keep the viewer staring, and bringing them with her to the place of her easel and her reflections. The current collection includes her works from such a variety of locales as Maine’s Acadia National Park and New Jersey’s Island Beach National Seashore, and also the lesser known but equally evocative locations of her own Pennsylvania area. Her latest inspiration has been the moody floodplain of the Susquehanna River Valley with its rocky shores and undulating hills, and this show includes many of her most recent works. Time and memory are both important themes in this show. Auth uses water in many of her paintings to symbolize nostalgia, contemplation and reflection. The artist grew up on the water. “My parents were avid sailors and they taught me to pay attention to the weather and to read the changes in the light and the surface of the water.” When she moved to Philadelphia, she began to paint waterscapes because she missed living by the ocean. The process of painting water was a way of reliving the hours spent looking out over the ocean. As Jean-Francois Millet has said, “It is treating the commonplace with the feelings of the sublime that gives art its true power.” Eliza Auth so readily sees the sublime in her surrounding scenery, and her art is indeed testimony to this assertion of Millet’s. “All of nature, no matter how insignificant, is worth contemplating,” Auth asserts, and with her work, she makes that contemplation irresistible. “Memory and Meaning” is about taking the time to see the significance of the everyday, from babbling brooks to picturesque hilltops, a viewpoint which can sustain and enrich our lives.
Sherry French Gallery, Inc.
CURRENT EXHIBITION | GALLERY | ARTISTS | LANDSCAPE INVENTORY | STILL LIFE INVENTORY
FIGURE INVENTORY | REALISM | CHELSEA | LINKS | E-MAIL | HOME | TOP OF THIS PAGE

©2000 Sherry French Gallery, Inc. All rights reserved. Do not duplicate or redistribute in any form.
All paintings copyright the respective artists.

Site design by Anthony D'Elia