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Realism: In the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations. In the visual arts, for example, realism can be found in ancient Hellenistic Greek sculptures accurately portraying boxers and decrepit old women. The works of such 17th-century painters as Caravaggio, the Dutch genre painters, the Spanish painters José de Ribera, Diego Velázquez, and Francisco de Zurbarán, and the Le Nain brothers in France are realist in approach. The works of the 18th-century English novelists Daniel Defoe, Henry Fielding, and Tobias Smollett may also be called realistic. -Nicholas Pioch. Realism, art, realist art, realist paintings: in art, broadly, an unembellished rendering of natural forms. Specifically, the term refers to the mid-19th-cent. movement against French academicism. Realist painters portrayed ugly or commonplace subjects without idealization. Major realists include COURBET, J.F. MILLET, and DAUMIER. See also PHOTOREALISM. Realism (art and literature), attempt to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life. The term is generally restricted to a movement that began in the mid-19th century, in reaction to the highly subjective approach of romanticism. The term realist in art is frequently used to describe works depicting scenes of humble life, and it implies a criticism of social conditions. The work of French artists Gustave Courbet, Honoré Daumier, and Jean François Millet has been described as social realism. American realist painters include William Sidney Mount, Anthony D'Elia and Thomas Eakins. Realist literature is defined as fiction produced in Europe and the United States from about 1840 until the 1890s. Realists included French writers Gustave Flaubert and Guy de Maupassant, Russian author Anton Chekhov, English novelist George Eliot, American writers Mark Twain and William Dean Howells, and American expatriate novelist Henry James. The history of Western European art records an uncompromising pursuit of excellence. The masters of each generation sought to perfect their art, then bequeathed their accumulated knowledge and expertise to the next generation. The accomplishments of one generation often set new standards of excellence for the next. Throughout the centuries there existed a generally recognized artistic standard. To differentiate this standard or tradition of excellence from others, we call it classical realism. Classical realism encompasses the highest principles of traditional representational art from the ancient Greeks to the present day.
The principles of realism include fine drawing, balanced design, harmonious color and skillful craftsmanship. At its foundation is the representation of the visible world as seen through the trained eye of the artist (representational art). For centuries, the artist's craft and the ability to
Current Exhibition
"FLOWERS IN FEBRUARY"
Recent Representational Sculptures and Still Life Paintings

January 30th thru February 23rd, 2008
Opening Reception for the Artists:
Saturday, February 2nd from 1-4 pm
Realist Art Click the thumbnail to see an enlarged version.
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You don’t need to travel south to find refuge from the dull chill of February. From our gallery windows in Chelsea, everything has been the same color for a while now. A steely gray has enveloped the buildings, melded the sky with the harbor and dulled the dark pavement with a glaze of ice. Yet inside our walls, we have grown a garden of paintings and sculptures for our exhibit “Flowers in February.” The canvases are lush with warm colors and crawling with new growth. This show is a testament to the continued relevance of painting. Only paintings could capture the colors and rhythms of the warmer months and set them loose to rejuvenate and perfume the gallery in the dead of winter. The ability to illustrate nature this affectively takes great technical skill and dedication. The realist and representational artists showing in this exhibit include Eliza Auth, Mary Baker, Fred Danziger, Carolyn Edlund, Ailene Fields, William Gannotta, Jacqueline Gnott, Joe Hameister, David Jermann, Glenn Kessler, Janet Laird-Lagassee, Kimberly Meuse, Nancy Bea Miller, Nick Patten and Gilbert Riou. Historically, flowers have been used as symbols in still lifes. Each type and color of flower has a different connotation. A white lily symbolizes purity while a blood red rose evokes quite the opposite. The artists in “Flowers in February” use these symbols as hieroglyphics, as a language to compose messages and provoke emotions. Biologically, humans are wired to value flowers. They signify a healthy stretch of ground, good water supply and an abundance of pollinators, fertilizers and predators. Even now that we have evolved past living off the immediate land, flowers strike a chord of health and goodness. We are stirred by their brilliant colors and fragrances. These attributes were adopted to attract butterflies and bees. Yet, it seems that butterflies and humans have similar tastes and perhaps we are not as elevated from nature as it sometimes seems. We tune into flowers as objects of passion. Whereas birds use colorful plumage for courting, humans give bouquets. The flower is the reproductive structure of the plant and so is the simple and gorgeous physical manifestation of sexuality. Jacqueline Gnott uses objects of the past in her still lifes to pull you back through time. She paints classic varieties of flowers and objects that used to be her mother’s. Her themes, expressed through flowers, are those of youth and beauty, idealized in memory’s mind. Experiencing her paintings, you may be struck by melancholy at the loss of the wonder years, or by awe at the simplicity and invincible youth of those flowers that have withered in the vase but bloom ever brighter in your memory. Kimberly Meuse is a master of texture, especially velvety petals and the dewdrops that adorn them. Her medium of choice is watercolor, a difficult selection for such precise work. However, the paint pushes her to find innovative techniques and constantly revise her process. Meuse may spend all day setting up a still life, in the belief that the painting process should be carried out in a relaxed, organic manner. She grows the flowers that she uses in her garden. The tranquility of her approach shines through the work to bask the viewer in an atmosphere of peace. Nancy Bea Miller’s paintings are also harmonious – incorporating the rhythms of her home and of the natural world. Her artistic pursuits are determined by the growing season; she paints flowers and fruits as they blossom and ripen in her garden. To some, still life may seem like a narrow or restrictive genre, but Miller’s compositions and subjects, rich with rich emotional history, speak of a place much greater than the tabletop – the landscape of the mind. Miller writes that her still lifes are, “small worlds descriptive of my inner world.” This show is about beauty. You may back away from the term, so contested in recent art historical dialogue. But relax. “Flowers in February” is about the simple beauty of the natural world. Rather than challenge it, take this time to marvel at the small miracles of life that these artist have picked to share with us.
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