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Realism: In the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations. In the visual arts, for example, realism can be found in ancient Hellenistic Greek sculptures accurately portraying boxers and decrepit old women. The works of such 17th-century painters as Caravaggio, the Dutch genre painters, the Spanish painters José de Ribera, Diego Velázquez, and Francisco de Zurbarán, and the Le Nain brothers in France are realist in approach. The works of the 18th-century English novelists Daniel Defoe, Henry Fielding, and Tobias Smollett may also be called realistic. -Nicholas Pioch. Realism, art, realist art, realist paintings: in art, broadly, an unembellished rendering of natural forms. Specifically, the term refers to the mid-19th-cent. movement against French academicism. Realist painters portrayed ugly or commonplace subjects without idealization. Major realists include COURBET, J.F. MILLET, and DAUMIER. See also PHOTOREALISM. Realism (art and literature), attempt to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life. The term is generally restricted to a movement that began in the mid-19th century, in reaction to the highly subjective approach of romanticism. The term realist in art is frequently used to describe works depicting scenes of humble life, and it implies a criticism of social conditions. The work of French artists Gustave Courbet, Honoré Daumier, and Jean François Millet has been described as social realism. American realist painters include William Sidney Mount, Anthony D'Elia and Thomas Eakins. Realist literature is defined as fiction produced in Europe and the United States from about 1840 until the 1890s. Realists included French writers Gustave Flaubert and Guy de Maupassant, Russian author Anton Chekhov, English novelist George Eliot, American writers Mark Twain and William Dean Howells, and American expatriate novelist Henry James. The history of Western European art records an uncompromising pursuit of excellence. The masters of each generation sought to perfect their art, then bequeathed their accumulated knowledge and expertise to the next generation. The accomplishments of one generation often set new standards of excellence for the next. Throughout the centuries there existed a generally recognized artistic standard. To differentiate this standard or tradition of excellence from others, we call it classical realism. Classical realism encompasses the highest principles of traditional representational art from the ancient Greeks to the present day.
The principles of realism include fine drawing, balanced design, harmonious color and skillful craftsmanship. At its foundation is the representation of the visible world as seen through the trained eye of the artist (representational art). For centuries, the artist's craft and the ability to
Current Exhibition
"FLOWERS IN FEBRUARY"
Recent Representational Sculptures and Still Life Paintings

January 31st thru February 24th, 2007
Opening Reception for the Artists:
Saturday, February 3rd from 1-4 pm
Realist Art Click the thumbnail to see an enlarged version.
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As soon as civilized man appreciated the aesthetic beauty around him, he also became aware of the brilliant, dramatic beauty of nature's flourishing buds. In addition to their mere visual beauty, flowers take on symbolic qualities and meanings. Daisies symbolize innocence, sweet pea's tenderness, and magnolia's fortitude, to name only a few. They can symbolize anything from vitality to death, purity to love. Flowers can also have religious ties, such as biblical lilies. Their scents and physical qualities, such as thorns and colors, have led to their association with a wide variety of meanings. Although universal, the power of flowers in today's landscape has become personal. Many people attach their own individual meanings to these blooms. The mere color or scent may remind them of a special memory, event, or person in their own lives. This versatility in meaning, combined with their vivacious beauty, leads to their successful transformation in paint and brush and oil. In this sense, flowers have a language all their own. Each carries a verbal message, while bouquets can communicate an entire statement. The artists included in the "Flowers in February" art show at the Sherry French Gallery in Chelsea understand this language and have composed such messages through color, detail and the expressive quality of nature's blossoms in their paintings. This year's participating representational artists include Eliza Auth, Sheila Cantrell, James Cramer, Jacqueline Gnott, Anne Johann, Curtis Kelly, Glenn Kessler, Janet Laird-Lagassee, Nancy Bea Miller, Cora Ogden, Jeanne Rovegno, and Mark Zunino. Participating as a returning artist in the show will be the spectacular still life paintings of Curtis Kelly. Artist Kelly paints directly from life paying close attention to the color and patterns in the set-ups that she creates. It is through this method that Kelly evokes the senses in her oils on canvas and oils on paper. “I love the effect of flowers in a still life painting; they brighten up a canvas just as they brighten up a room. They bring vitality and vibrancy into play. Painting a flower is like contemplating nature; it is food for the spirit,” the artist says. The still-life flowers in Kelly’s representational paintings are as always a treat for her audience as her color combinations are as moving as they are refreshing. Kelly is both adventuresome and free-spirited, qualities that the greatest of artists possess and that strongly echo through in her paintings. Artist Cora Ogden says on the art of painting flowers: “Despite many years of floral painting, I feel a great sense of energy and discovery with each new composition. That is one of the joys of flowers: their myriad forms, colors and emotional references. Hamlet says, ‘Art holds up a mirror to nature’. I choose to develop intimate scenes that can evoke half-remembered images in the viewers mind. We pass a table and glimpse the brilliance of flowers caressed by afternoon light, or we are called away and must set down our book. These are the images that are immediate and fleeting. I am capturing these moments and sharing them with the viewer.” The artist continues to describe her paintings: “Flowers do have a unique language. I chose to paint these sunflowers because of the richness of their color and the sensuality I saw in the movement of the petals. Each stem contains a company of swaying dancers. The antique Kasimeer paisley shawl heightens the experience and provides even greater warmth. Just as this becomes a bit heady, you can escape across an airy field and catch the feel of fresh wind in the sails.” On a more personal note, the artist says: “To me the water lily is a very interesting flower: serene, graceful, yet geometrically strong and sharp in its image. This mirrors the interesting dichotomy of many historical warriors. They were often poets, philosophers, painters, while be proficient at their trade. In preparing to welcome death, these warriors opened themselves to the beauty and magic of the ordinary in life. In ancient Chinese poetry great warriors frequently wrote about the passing of the plum blossoms, or the changing of leaves and grasses with the seasons, or even of finding a blossom blown into the road to a next encampment. With flowers we can look at the particular, the everyday scene, the now -- but there is the opportunity to glimpse the universe that lies before our eyes.” Another artist participating in the art show is Mark Zunino. Artist Zunino is known for his realistic still life paintings. Though a still life painter, Zunino has an ability to make the most ordinary of flowers and objects timeless and come to life on the canvas. Zunino finds harmony among the relationship between objects and the spaces they occupy, making his paintings all the more enjoyable for the viewer. This artist chooses his subject matter based on colors and shapes and the interplay is the resulting composition. Zunino begins his paintings with the objects in mind and then he lets his artistry take over and the result is the end product. All of the objects are true to their origin, but as artist Zunino says, "My art work always evolves from one sitting to the next. I may start with flowers and pots and end with a painting of fruit in a room." Whatever sentiment or symbolism they may represent, flowers are treasured objects in society today. These artists highlight the inherent beauty found in the world around us, bringing color and warmth to the chilly, dreary month of February via their still life paintings.
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