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Realism: In the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations. In the visual arts, for example, realism can be found in ancient Hellenistic Greek sculptures accurately portraying boxers and decrepit old women. The works of such 17th-century painters as Caravaggio, the Dutch genre painters, the Spanish painters José de Ribera, Diego Velázquez, and Francisco de Zurbarán, and the Le Nain brothers in France are realist in approach. The works of the 18th-century English novelists Daniel Defoe, Henry Fielding, and Tobias Smollett may also be called realistic. -Nicholas Pioch. Realism, art, realist art, realist paintings: in art, broadly, an unembellished rendering of natural forms. Specifically, the term refers to the mid-19th-cent. movement against French academicism. Realist painters portrayed ugly or commonplace subjects without idealization. Major realists include COURBET, J.F. MILLET, and DAUMIER. See also PHOTOREALISM. Realism (art and literature), attempt to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life. The term is generally restricted to a movement that began in the mid-19th century, in reaction to the highly subjective approach of romanticism. The term realist in art is frequently used to describe works depicting scenes of humble life, and it implies a criticism of social conditions. The work of French artists Gustave Courbet, Honoré Daumier, and Jean François Millet has been described as social realism. American realist painters include William Sidney Mount, Anthony D'Elia and Thomas Eakins. Realist literature is defined as fiction produced in Europe and the United States from about 1840 until the 1890s. Realists included French writers Gustave Flaubert and Guy de Maupassant, Russian author Anton Chekhov, English novelist George Eliot, American writers Mark Twain and William Dean Howells, and American expatriate novelist Henry James. The history of Western European art records an uncompromising pursuit of excellence. The masters of each generation sought to perfect their art, then bequeathed their accumulated knowledge and expertise to the next generation. The accomplishments of one generation often set new standards of excellence for the next. Throughout the centuries there existed a generally recognized artistic standard. To differentiate this standard or tradition of excellence from others, we call it classical realism. Classical realism encompasses the highest principles of traditional representational art from the ancient Greeks to the present day.
The principles of realism include fine drawing, balanced design, harmonious color and skillful craftsmanship. At its foundation is the representation of the visible world as seen through the trained eye of the artist (representational art). For centuries, the artist's craft and the ability to
Recent Exhibition
"PAINTING=POETRY-ut pictura poesis"
Realism in Paintings and Sculpture
March 29th through April 22rd, 2006

Opening Reception for the Artists:
Saturday, April 1st from 1-4pm
Realist Art Click the thumbnail to see an enlarged version.
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The written word and the painted image- two such distinct art forms and yet, one is easily tempted to perceive them as one and the same. It cannot be denied that in our minds, an image always carries a name and a word always evokes a corresponding image. One defines the other and both have the consistent capacity to generate an emotional response. The two, image and word are, in fact, eternally interconnected and in unison, they epitomize the world, as perceived and experienced by us. Taking this phenomenon into account, one must agree that it would not seem a fanciful mission to take two superior art forms as painting and poetry and place them side by side on the same wall, viewing and reading them as one. This March 29 - April 22nd, 2006, the Sherry French Gallery in Chelsea is proud to undertake this very mission. In its annual Painting=Poetry exhibition of recent representational artwork, the paintbrush and the pen will unite to form a contemporary realist art collection that embodies the joined workings of the mind and the soul. Participating Contemporary American artists include: Janice Anthony, Theresa Bartol, Randy Ford, Marcel Franquelin, Glenn Kessler, Janet Laird-Lagassee, Kimberly Meuse, Nancy Bea Miller, Cora Ogden, Daniel O’Leary, Tom Ouellette, Dean F. Thomas, Jeffrey Vaughn and James Whitbeck. In this symbiosis of painting and poetry, participating representational artists will be given the opportunity to utilize these two art forms as vehicles towards a broader horizon and will invite the viewers to join them on this enchanting ride through their realistic painting. While some Contemporary American artists will choose to collaborate with poets of similar artistic sensibilities, others will allow words and mental images inspired by specific poetic works, be their guide. This show will feature two artists who are new to the gallery: Randy Ford, Marcel Franquelin. Marcel Franquelin’s works are the only nudes in this show. His female nudes are classically inspired and extremely sensual. Franquelin’s drawings are obvious choices for this show as the female nude has inspired some of history’s most honest and poignant paintings as well as poems. Randy Ford, a photorealist with an emotional side, has made it his personal mission to preserve the personality of America through painting. The focal point of this show will be his painting “Townehouse,” which is a shockingly realistic image of letterbox neon signage; a sight that Ford believes to be uniquely American. Ford’s works are accompanied by the mystical poetry of friend Ivan Ortiz, who is the National Poet Laureate of poetry.com. This show will also see Nancy Bea Miller’s and Kimberly Meuse’s second appearances at the gallery. Miller’s works are relatively small and rather lovely, yet they remain powerful. Miller, who has three sons, describes herself as “calm by nature” and explains that she has “the temperament of a poet.” In fact, Miller graduated with a degree in poetry and her paintings have an inherent lyrical quality making her an ideal participant in this show. Kimberly Meuse’s exquisite still life watercolors are in-depth visual explorations of the world of shimmering light on rich fabrics, intricate silver pieces, and vintage china and glassware. Meuse’s works, full of a vast array of shapes, colors, shadows, and reflections never cease to be intriguing and visually stimulating and thus lend themselves remarkably well to the rich imagery of poetry. Painting=Poetry will celebrate the affinity between these two ancient art forms. Its representational art collection will be the testimony to the marvels that are born when “the ear and the eye lie down together in the same bed.” But even more so, it will be a testimony to the perfect harmony that is born when such marvels turn up on one wall. For further information contact Sherry French at 212 647-8867.
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