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Realism: In the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations. In the visual arts, for example, realism can be found in ancient Hellenistic Greek sculptures accurately portraying boxers and decrepit old women. The works of such 17th-century painters as Caravaggio, the Dutch genre painters, the Spanish painters José de Ribera, Diego Velázquez, and Francisco de Zurbarán, and the Le Nain brothers in France are realist in approach. The works of the 18th-century English novelists Daniel Defoe, Henry Fielding, and Tobias Smollett may also be called realistic. -Nicholas Pioch. Realism, art, realist art, realist paintings: in art, broadly, an unembellished rendering of natural forms. Specifically, the term refers to the mid-19th-cent. movement against French academicism. Realist painters portrayed ugly or commonplace subjects without idealization. Major realists include COURBET, J.F. MILLET, and DAUMIER. See also PHOTOREALISM. Realism (art and literature), attempt to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life. The term is generally restricted to a movement that began in the mid-19th century, in reaction to the highly subjective approach of romanticism. The term realist in art is frequently used to describe works depicting scenes of humble life, and it implies a criticism of social conditions. The work of French artists Gustave Courbet, Honoré Daumier, and Jean François Millet has been described as social realism. American realist painters include William Sidney Mount, Anthony D'Elia and Thomas Eakins. Realist literature is defined as fiction produced in Europe and the United States from about 1840 until the 1890s. Realists included French writers Gustave Flaubert and Guy de Maupassant, Russian author Anton Chekhov, English novelist George Eliot, American writers Mark Twain and William Dean Howells, and American expatriate novelist Henry James. The history of Western European art records an uncompromising pursuit of excellence. The masters of each generation sought to perfect their art, then bequeathed their accumulated knowledge and expertise to the next generation. The accomplishments of one generation often set new standards of excellence for the next. Throughout the centuries there existed a generally recognized artistic standard. To differentiate this standard or tradition of excellence from others, we call it classical realism. Classical realism encompasses the highest principles of traditional representational art from the ancient Greeks to the present day.
The principles of realism include fine drawing, balanced design, harmonious color and skillful craftsmanship. At its foundation is the representation of the visible world as seen through the trained eye of the artist (representational art). For centuries, the artist's craft and the ability to
Current Exhibition
"GALLERY AND INVITED ARTISTS"
Representational Paintings and Sculpture

June 5th thru August 31st, 2007
Realist Art Click the thumbnail to see an enlarged version.
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The Sherry French Gallery is proud to present its annual summer show titled, “Gallery and Invited Artists,” featuring contemporary representational paintings and sculptures, along with still life and figure paintings. This summer-long show lends itself to the work of long time participating artists, in addition to new talent. Over twenty artists participate in the show, including: Eliza Auth, Fred Danziger, Carolyn Edlund, Judy Evans, William Gannotta, Jacqueline Gnott, Robert Heischman, Janet Laird-Lagassee, Victor Leger, Kimberly Meuse, Nancy Bea Miller, John Morrell, William M. Sullivan, Stephen Tanis, Dean F. Thomas and Gail Wegodsky. The artists in this group represent a variety of mediums, including oil on canvas, oil on panel, watercolor on paper, gouache on paper, pastel on paper, and acrylic on canvas. Their paintings range in size from large-scale single panels and diptychs to smaller paintings that work in groups and series. Most of the artists work directly from observation and are extremely intricate in their respective artistic processes. The focal painting of the show is “Gabriel’s Contest” by Stephen Tanis. Tanis’ paintings possess a sense of reflective sentiment drawing the audience into the scene. “Gabriel’s Contest” creates a profound interaction between the two characters as he represents the classic tale of Good versus Evil, with a twist--there is a sense of ambiguity as to which figure represents good in the image. By using colors generally associated with good on both characters, Tanis causes the viewer to make the decision for themselves concerning the disposition of the two characters. The painting is reminiscent of the Old Testament wrestle match between Jacob and the archangel Gabriel, as both men seem to be engaged in a deep struggle and there is no clear or immediate winner. Kimberly Meuse is best known for her beautifully intricate paintings of flowers. They feature delicate bouquets in exquisite shades of blue, pink and purple. Frequently contrasted against a white background, as in her “Peony Bouquet”, the vibrant colors seem to leap from the paper and the audience can almost smell the sweet summer scent of peonies, hydrangeas, or lilacs. “Peony Bouquet”, an award-winning watercolor, is one of her simpler paintings, with the central peonies laid bare against beautiful folds of fabric and a solitary ribbon. By contrast, her paintings “Blue Hydrangeas and Plums” and “Late Summer” are more complex. In addition to her trademark bouquets of flowers and flowing fabric, there is succulent fruit that begs to be eaten, a beautiful Chinese vase or a gleaming silver pitcher. William M. Sullivan’s large painting, “End of the Day”, is a seemingly traditional seascape that has an air of serenity and beauty surrounding it that could hypnotize any viewer. The softly rolling waves and setting sun create a sense of tranquility even in the midst of one of the world’s busiest cities. Also one of the largest paintings in the show, Sullivan’s “End of the Day” draws the eye like a magnet. The hints of blue in the water and the yellow burst of sun stand out against the dark grey and brown of the rocks, giving this painting a lifelike quality, as if you were standing on the rocks being sprayed by the waves. Robert Heischman’s drawings encapsulate the quaintness and relaxation associated with a summer on the East Coast. Taking the audience on tours of lovely gardens and landscape architecture, one can almost feel a summer breeze chasing them along one of his stone paths. The viewer is invited to linger within the space of his charming gardens and stroll out of the composition to a garden of the imagination that is found just beyond the picture’s frame. Our summer gallery show allows the human spirit to be reborn; the summer months are a perfect time for out spirits to come alive again. This gives our artists an unparalleled feeling of serenity, which converts itself onto fantastic freshness and modernity in their work. Through our realistic styles, our artists—both painters and sculptors—use our gallery show to depict the rejuvenation of nature. There is no better way to provoke our minds than with the beauty of representational, realistic art, be it through landscape painting or still life.
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