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Realism: In the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations. In the visual arts, for example, realism can be found in ancient Hellenistic Greek sculptures accurately portraying boxers and decrepit old women. The works of such 17th-century painters as Caravaggio, the Dutch genre painters, the Spanish painters José de Ribera, Diego Velázquez, and Francisco de Zurbarán, and the Le Nain brothers in France are realist in approach. The works of the 18th-century English novelists Daniel Defoe, Henry Fielding, and Tobias Smollett may also be called realistic. -Nicholas Pioch. Realism, art, realist art, realist paintings: in art, broadly, an unembellished rendering of natural forms. Specifically, the term refers to the mid-19th-cent. movement against French academicism. Realist painters portrayed ugly or commonplace subjects without idealization. Major realists include COURBET, J.F. MILLET, and DAUMIER. See also PHOTOREALISM. Realism (art and literature), attempt to describe human behavior and surroundings or to represent figures and objects exactly as they act or appear in life. The term is generally restricted to a movement that began in the mid-19th century, in reaction to the highly subjective approach of romanticism. The term realist in art is frequently used to describe works depicting scenes of humble life, and it implies a criticism of social conditions. The work of French artists Gustave Courbet, Honoré Daumier, and Jean François Millet has been described as social realism. American realist painters include William Sidney Mount, Anthony D'Elia and Thomas Eakins. Realist literature is defined as fiction produced in Europe and the United States from about 1840 until the 1890s. Realists included French writers Gustave Flaubert and Guy de Maupassant, Russian author Anton Chekhov, English novelist George Eliot, American writers Mark Twain and William Dean Howells, and American expatriate novelist Henry James. The history of Western European art records an uncompromising pursuit of excellence. The masters of each generation sought to perfect their art, then bequeathed their accumulated knowledge and expertise to the next generation. The accomplishments of one generation often set new standards of excellence for the next. Throughout the centuries there existed a generally recognized artistic standard. To differentiate this standard or tradition of excellence from others, we call it classical realism. Classical realism encompasses the highest principles of traditional representational art from the ancient Greeks to the present day.
The principles of realism include fine drawing, balanced design, harmonious color and skillful craftsmanship. At its foundation is the representation of the visible world as seen through the trained eye of the artist (representational art). For centuries, the artist's craft and the ability to
Recent Exhibition
"SMALL SIZES - PRECIOUS PIECES"
Representational Paintings and Sculpture

November 29th thru December 30th, 2006
Opening Reception for the Artists:
Saturday, December 2nd from 1-4 pm
Realist Art Click the thumbnail to see an enlarged version.
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It is an accepted verity that size affects how we perceive the world around us. The huge oak trees of the country and the towering skyscrapers of the city are certainly impressive and hard to disregard. But what of the intricate perfection of ant hills, the smooth surface of a tiny pebble? The latter, describing an intimate world of closeness and understanding, is what the art show, "Small Sizes, Precious Pieces" at the Sherry French Gallery in Chelsea--November 29th - December 30th-- has to offer. The gallery's collection of "small but mighty" paintings and sculptural works, the artists included in this show visually explore the indisputable relationship between size and intimacy. In these artworks, the sense of revelation and invention is instantaneous and not over-considered. These smaller-scale art works are seductive as purely precious entities, while also making a statement of acute awareness in a unique way, evoking a sense of comfort and familiarity. Artists participating in the show include Sheila Cantrell, Fred Danziger, Judy Evans, Jacqueline Gnott, Anne Johann, Curtis Kelly, Janet Laird-Lagassee, Victor Leger, Nancy Bea Miller, John Morrell, Cora Ogden, Jeanne Rovegno, Michael Schweigart and Jeffrey Vaughn. Realist painter, Sheila Cantrell encourages her art viewer to take a closer at ordinary objects that possess a beauty we often overlook. "Often the key to finding beauty nearby is simply to take a closer look," says artist Cantrell. There is one object that Cantrell selects for her paintings and all other objects are based around the primary. Color and size become important once the main object has been selected. The realism in her paintings comes into play with the idea of small sizes and the intimacy between objects. Janet Laird-Lagassee is another realist painter participating in the show. Artist Laird-Lagassee has an interest in taking objects and introducing them into a new still life environment; it is in this way that an object comes to life in a way never imagined via her paintings. "Still life and landscape, one is not more inspiring than the other, but rather each presents its own story, its own challenge; each generates its own moment in time and place in the universe," says artist Laird. Each object narrates a story via painting through which Laird-Lagassee is the author. The mood of each painting is designed through the color scheme, tone, value, composition that Laird-Lagassee chooses to use. The subjects of her paintings are picked for the level of inspiration that they offer; whether a pill of stones, a flower, or a patch of pumpkins, artist Laird-Lagassee is able to bring out the best in all things. "When I am painting, I am 'in' the painting, part of its moment in time and place of existence." Nancy Bea Miller is another artist participating in the art show Small Sizes, Precious Pieces. So naturally placed are the still life set-ups that Miller paints, yet they suggest elegance and planning that only this artist could create. "I love the way things look, and I am sensitive to the emotional resonances that certain things have for me." Though thriving in their color combinations, Miller chooses the objects in her paintings based on the mood and the emotions they evoke. "I think I never outgrew a childhood fancy: that everything around me, dolls, plates, cups, houseplants etc all had their own inner life, their own set of feeling and thoughts," says Miller of her subject matter and oil on canvas paintings. Every space has life and every object is active and plays a role in the genuinely simplistic nature of the paintings of Nancy Bea Miller. So take a closer look at these precious art works presented at the Sherry French Gallery. They are sure to delight the senses in the grandest of ways.
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